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Monday, 22 March 2010
Indian cinema on new verge…….
hello,
This blog is on new cinema that can soon be seen on big screen...
LSD, love, sex and dhokha, is now is not just a bold and hot movie but also gets the critical acclaim by crtics of hindi cinema, as the movie is not about the boldness but about the reality of the real world. There is an old saying that cinema is a mirror of society. What else happens in the society , can be seen in movies as the real perception. May be this is what ekta kapoor wants to say. No doubt ekta’ has a series of records on her name. whether she sets history on small television by her saas-bahu sagas with female protagonists or big screen. This time she chose big screen with new comers and she did what she wants. But apart setting LSD as the real drama that is a feel of changing Indian society, this is seemed to be the bollywood’s till now hottest and bold movie in terms of each and everything . from scenes, to dialogues, thus keeping the doors open for other filmmakers to shoot the story demand much openly as they want.
It was a time when for a particular romantic scene, a director had to project the props as love. Props such as two flowers mating, love birds or any nature kind of thing. A rain song of aawara between raajkapoor and nargis, shot down beautifully but without smooches. No doubt, smooch was not acceptable in the Indian society at that time. But also Raaj kappoor was a film maker that experiments and gave a new thing to bollywood. From his AAwara to Bobby and raam teri ganga maili… the bold and hot scenes created a buzz that time also. But until then, Indian cinemascope cud not be seen as bold. Commercial cinema was trying to provide a good, better, best massala to viewers.Romance can be seen in a single song ,shot down in a bold but beautiful way.whether its madhuri’s dhak dhak karne laga or sridevi’s kaate nahi kate din ye raat…Kiss is now becoming a common factor of the movie. Remember Raja Hindustani, Smooch scene between karisma and aamir khan. Karisma had to clarify all that was shot , is a game of camera. Bollywood going thru the transition phase in terms of love making scenes. Now props remains in history. They are of no need to define love. Recently much more movies can be seen familiar with kissing scenes. Even the films publicise on the name of longest kiss scenes. Saifina starrer kurbaan, is where a viewer is allowed to see real love of top bollywood actors on reel for longer time. Most often movies place these kind of scenes only to spice up the screen and audience. From kiss to smooch, now much more bold a complete love making scenes as what cud only be seen in Hollywood movies. These scenes cud be seen in hindi cinema as well but, may be these are not at that much par, that can label them as bollywoods most bold film. Remember SRK’s-deepali ‘s Maya memsaab, dhanvans’s madhuri-vinod khanna, love scene, vidyabalan’s one or other movie. These can be listed under bollywoods hot scenes movies but cud not get the tag of what LSD is.
Not in terms of scenes, bollywood is also going bold in terms of dialogue delievery. Earlier it was dharma pajjis ‘kute main tera khoon pee jaunga, or haramzaade….nana’s krantiveer movie r****to dimple kapadia and but now its vidya’s **** in ishqiya. Vishal bhardwaj kaminey… From a heman to woman, movies are now getting open to the dialogues and tites. May be these texts seems to be much more familiar with the audience.Abuse is getting in a more connective way to the viewer. Dev-d, Abhay deol’s dialogue to his girlfriend about a pic. The dialogue has no abuse term, but a bold statement of a lover to his lover. kareena or akshay Sex term with beep…LSD tried to go bolder in this perspective also but censor scissored the much more bold dialogue. Although now every viewer and reader knows about the reality of the dialogue. From nangi it was cut to gandi….
This is a matter of boldness and if one wants to showcase clear picture of society they has to set something different. Love, sex, dhokha, clears this picture. No doubt one can see much more open films in near future.
sayonara, till next post.
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